Mortal Kombat: Games of Death
Mortal Kombat: Games of Death
by David Church
University of Michigan Press, 2022
ISBNs
Cloth: 978-0-472-07522-5
Paper: 978-0-472-05522-7
eISBN: 978-0-472-90262-0 (OA)
About the Book
Upon its premiere in 1992, Midway’s Mortal Kombat spawned an enormously influential series of fighting games, notorious for their violent “fatality” moves performed by photorealistic characters. Targeted by lawmakers and moral reformers, the series directly inspired the creation of an industrywide rating system for video games and became a referendum on the wide popularity of 16-bit home consoles. Along the way, it became one of the world’s most iconic fighting games, and formed a transmedia franchise that continues to this day.
This book traces Mortal Kombat’s history as an American product inspired by both Japanese video games and Chinese martial-arts cinema, its successes and struggles in adapting to new market trends, and the ongoing influence of its secret-strewn narrative world. After outlining the specific elements of gameplay that differentiated Mortal Kombat from its competitors in the coin-op market, David Church examines the various martial-arts films that inspired its Orientalist imagery, helping explain its stereotypical uses of race and gender. He also posits the games as a cultural landmark from a moment when public policy attempted to intervene in both the remediation of cinematic aesthetics within interactive digital games and in the transition of public gaming spaces into the domestic sphere. Finally, the book explores how the franchise attempted to conquer other forms of media in the 1990s, lost ground to a new generation of 3D games in the 2000s, and has successfully rebooted itself in the 2010s to reclaim its legacy.
This book traces Mortal Kombat’s history as an American product inspired by both Japanese video games and Chinese martial-arts cinema, its successes and struggles in adapting to new market trends, and the ongoing influence of its secret-strewn narrative world. After outlining the specific elements of gameplay that differentiated Mortal Kombat from its competitors in the coin-op market, David Church examines the various martial-arts films that inspired its Orientalist imagery, helping explain its stereotypical uses of race and gender. He also posits the games as a cultural landmark from a moment when public policy attempted to intervene in both the remediation of cinematic aesthetics within interactive digital games and in the transition of public gaming spaces into the domestic sphere. Finally, the book explores how the franchise attempted to conquer other forms of media in the 1990s, lost ground to a new generation of 3D games in the 2000s, and has successfully rebooted itself in the 2010s to reclaim its legacy.
About the Author
David Church is Postdoctoral Fellow in the Department of Gender Studies at Indiana University.
Reviews
“The book captures the excitement and dynamism of actually playing Mortal Kombat while describing the game, its appeal for players, and the reasons why the establishment (parents, cultural critics, US senators) found it objectionable. Church places Mortal Kombat squarely in its sociopolitical context to introduce the game to the general reader.”
—Rachael Hutchinson, University of Delaware
— Rachael Hutchinson, University of Delaware—Rachael Hutchinson, University of Delaware
Tags
Landmark Video Games, Games, Death, Media Studies, Social aspects, United States, Social Science, History
Open Access Information
License: CC BY-NC-ND
Loading...